Monday, April 09, 2012

double spaces and Smashwords

WORKING through another story, musing on the problems of the world I came across a useful wee hint...one that can shave some time over your approval on Smashwords Premium List by a simple check: search your document for double spaces...

Smashwords 'epub' checker reads double spaces as if you have put a false indent into paragraph beginnings, something that can cause problems with certain e-readers.

Simply search through your document (ctrl+f) for double spaces and replace them with single spaces.

I'm currently about to do that with my story Justice Follows the Grave but even if you haven't got this done the story can still be viewed (and bought!) on Smashwords!

I found this out through a problem with my story Defender, which is now awaiting review for submission to the Premium List.

If any of you are novices to ebook publishing, please feel free to drop me a note if you want some basic hints, but Smashwords has lots of free advice, though it takes a small amount of time.

Now if anyone can help on using Photoshop Elements for cover design, or some advice on affliate process with Smashwords....



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Monday, March 12, 2012

Seven short stories published as ebooks

GETTING through a backlog of writing I've managed now to have six short stories and one (slightly) longer story published on Smashwords. Horror stories, supernatural stories, science fiction, a Belfast romance and a sword and sorcery story...no way I want to get "typecast"

Saturday, January 07, 2012

Where you can find missing stories

I've recently received a few emails about taking stories down from this site. If you've already read them, thanks!

In the meantime I've taken the plunge and published them as an independent ebook publisher.

Stories like In Media Res and Beginnings and three others are now available at Smashwords where you can read them on your Kindle, PC, iPad, iPhone, Sony Reader and even the humble old PC. You can view the first 20% of each story free, and if you like them read the remainder for the reduced price of $0.99!

Friday, December 30, 2011

Just published my second short story on Smashwords

Writing update time. I just published my second short story on Smashwords.com. It's called Justice Follows the Grave and you can read it here on most e-reader platforms like Kindle and e-readers for iPad and iPhone

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Thursday, December 29, 2011

Short story now available to buy...cheap too

JUST took my first venture into proper ebooks with the publication of my short story Watching the Watched on the wonderful Smashwords website: there you can buy a copy at a very reasonable price for your own delection and delight to read on Kindle, iPad or whatever takes your fancy.

You can read a sample here, and buy from the same page! Hope you like it!

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Sunday, October 03, 2010

Have-a-pop 'hero' hacks

I HAVE to say, right off, that I enjoy my work. Yes, for some managing a communications team, and contributing writing and strategy, isn't exactly up there with brain surgeons and NASA scientists but sometimes I know that what I do makes a (tiny) difference.

And, yes it is true that I do sometimes ruminate that I should get off my lazy arse and publish my creating writing, spend time critiquing pseudo-science, stand up for my atheism, or set my stall out in the music trade.

Of late I have been rather irritated by the attitude of the self-declared experts and the have-a-pop 'hero' hacks populating some of the lower selling Northern Ireland newspapers.

I'll give you two cases in point by way of example.

The first concerns a media enquiry a colleague received about a report issued this week. The report was the result of almost a year's hard work by other colleagues. Their work has already produced numerous positive comments, and may result in some real change. But this hack with an agenda was already halfway through penning his article. When asked whether he wanted a copy of said report he commented that he wouldn't have enough time to read it...though he did ask for the executive summary if one was available.

This says more about the hack's agenda than it does about the report itself. And, one of the people he offered up in the article, surely had not read the report, even if they had a copy sent to them in advance.

The other example is the goading on talk shows on topics that the average caller will not have taken the time to delve into. Cue up a self-appointed controversial commentator to vent his spleen then open the phone lines. Said commentator is one whose views I listen to, and on a rare occassion even agree with; but that he too had clearly not bothered to read the report in anything resembling detail speaks more about his agenda than anything else.

Once, many moons ago I was a full-time hack too; even a moderately successful one in a very limited sense. I know that I, at times, took short cuts when deadlines were tight. But I never jumped to too many conclusions. The hack and the commentator above seem to have leaped unthinking towards self-thought-fulfilling conclusions.

Or, could it be they prefer their own agendas over objective journalism.

Such objective journalism is a rare commodity in a celebrity obsessed media landscape, where the latest manufactured act and psychic occurence are preferred over evidence and real talent.

Witness the channels dedicated to psychic shit and 'alternative' medicine [for alternative medicine read: not tested by any reliable scientific method].

Yesterday I reported on the sad passing of Trevor Fleming. Trevor was the guitarist in Belfast band Sweet Savage. Few of the X-Factor generation will ever have heard of Trevor or Sweet Savage. Yet Trevor appeared on a song that may have contributed qute a few shillings to the Northern Ireland economy. He was in the Sweet Savage line-up that recorded a song called Killing Time. Metallica covered that song. Such is the popularity of Metallica across the globe that royalties came back to 'Norn Iron', where Sweet Savage were able to spend a few quid...

Sadly Trevor's passing will go unnoticed in a city where pubs imitate X-Factor and be-jewelled barely clad girls strive to aspire to lesser spotted WAG status.

Which leads back to the point of this post. The media used to be a reflection of society: reporting on foibles and critiquing the actions of the great and the [not so] good.

Now, it believes it can set the agenda.

It believes it can pout and preen, setting out a stall with an agenda and a plan to demean those that work hard and actually take an active part in this less than civil society

It believes that pseudo-celebrities are more important than real stories.

And with falling sales its disinterested readership is turning to the web...

BTW- which UK recording act topped the charts in 21 countries worldwide?

Clue - It wasn't a Simon Cowell act, and it wasn't some reality TV wannabe.

Don't know yet?

It was Iron Maiden, with their 15th studio album.

Next question: Are The Beatles the biggest selling act of all-time?

Answer: No, and not by a long shot. That would be AC/DC.

There are the smarmy gets who prefer shoe gazing nobodies to the hard, cold facts that they may damn the Iron Maiden's and AC/DC's of the world, when such acts actually earned their stripes gigging without Louis Walsh and co offering pithy comments. They call Maiden, DC and Metallica derivative and 'adolescent' but fail to note that Morrisey is an undergraduate lyricist at best and Duke Special ain't that special [Tim Minchin has better dreads, better and funnier songs and he can really play!]

Tortuously this brings me back to the original point. Too often the hacks who sit behind the desk, fingers poised over a keyboard think little of their personal agenda. Too often the self-congratulatory columnist never asks about the reality rather than the cheap quips...

This rant is now over.... :)

Monday, August 16, 2010

Metal short story...

One I wrote some time ago, a bit daft and inspired by Blue Oyster Cult!

1




Four years of fighting, and no sign of victory.



Another year and he could retire to teach at what was left of the Academy. Four years and only two days of respite per month. Just 96 days of relief. In his hands he played with the headset. Such a relic. They were his only real respite, a window to a past gone for more than 900 years. A relic that had been left from his long-dead relative, passed through generation after generation, with none knowing what the silver discs contained.



Each month he had sat, connected to the dumb terminal, researching, reading what ‘ware he would let into his mind, always careful that no neural bombs had been left by the ‘bots.



Finally, two months ago he had broken the code, assembled a converter and copied the files to his ‘ware. Almost 2,000 files lay within, each labelled with obscure titles, and even more obscure names and organisations. It was another month before he dared to open one, fearful that the ancient codes would have decayed and corrupt his neural interfaces. When he finally opened them he was shocked for the first time since joining up in the ‘ware marines. He expected codes, ‘ware, even text downloaded via the ancient headset. Instead, three brief lines from someone whose name had been lost in the centuries passing, explaining the concept of music.



Music, a small word. A word that he had to look up in the library ‘ware. It was a word and a definition that baffled him, until the first chords blasted through the headset. He had laughed in shock.



Now it was his only solace. He had to face up to probable defeat. Commander of the Software Division of the United Earth Space Marines, and commander of a division that was slowly, but surely being defeated by the ‘bots. There had been some glimmer of hope this past three weeks, but until he could marshal a counter-attack…



2.



“Sir, the divisional reports are ready to be uploaded,” said Samuels, his Exec Officer, who bustled into the room, still smelling of the stimulant he tolerated, but frowned upon; especially it’s use among his Official Cadre officers and ‘ware specialists. It might keep them awake and alert for a few extra minutes in death space, but it made them rash and, at times too impulsive against the ‘bots.



“Okay Samuels, thanks. You had any downtime?”



The man had been a competent marine when programming, but lacked the inherent strength of visualisation while in 'ware time. Where most marines visualised rich tapestries of sound, vision, smell and touch, Samuels preferred the quiet visualisations of boardrooms. It matched his straight bearing, impeccable uniform and angular face. Topped by the neatly trimmed grey hair he looked less like a marine and more like a member of the administrative cadre. He was in total contrast to the dishevelled demeanour of his commander.



“Yes, sir and I’m due relax trance tomorrow.”



“Okay, dismissed.”



Relax trance. What a stupid word combination. It was nothing to do with relaxing. The trance was designed to age his men and women. Their fights with the ‘bots were in a world where time was measured in a different framework compared to the rest of the human population. His four years in the wars had seen normal time fly by in a blur of more than 50 years, his body ageing slowed by the perverse nature of the quantum world the ‘bots occupied. The ageing was necessary, because without it the brain systems would overtake the neural wetware that bridged complex brain areas; a pathway of tiny interfaces measured in diameters of electrons and neutrons. The interfaces crossed posterior parietal cortex and anterior cingulate cortex, effectively linking the motion-processing areas of visual pathways and body-mapping areas.



The sense of space constructed by this cortex was linked to the cingulated cortex, using its focus and crossroads between planning and emotional impulses in the brain to translate higher functions and boost attention. The link enabled the visualisation of colours, environment and other interpreted senses from the battlefield, using the impression of senses to do battle in the quantum world where the bridges of intervention changed every aspect of the virtual battlefield.



Just another year. Even he, commander of the ‘ware marines, was limited to five years’ service – almost 70 years in real time. Any longer and the risk of akinetic mutism from damage to the anterior cingulate cortex increased exponentially. He’d seen too many friends, too many of his marines struck down with q-syndrome, as the soldiers had dubbed it. A weird zombie-like state first clearly understood and then diagnosed correctly almost 1,000 years ago. It had been known about for years before that, but the damage they incurred in the battle with the ‘bots was irreversible. Zombies with full consciousness, but no motivation, no urge to move, to do anything, not even speak. All who suffered were discarded from the service. The lucky few were given terminal neural interface connections by their relatives. It was a merciful death.



“Think too long on this shit and you’ll never hook up again Jonas,” he thought, suddenly deciding that it was time for work. The division was so depleted of resources even the commander was forced to enjoin the battles.



He donned the headset first, loading up another song, from what he presumed was a 20th Century religious movement, Blue Oyster Cult. Veteran of the Psychic Wars.



“How fucking appropriate!”



3.



Earth colonies had been gradually, slowly and cautiously exploring their distant corner of their galaxy for more than two centuries since they first mastered the art of sending drones to terraform uninhabited planets and then leapfrogging them with the sub-light driven ships, delivering colonists desperate to escape the dying throes of Earth.



Within 150 years more than 500 planets had been colonised, and then the first contact with the ‘bots came, bringing what seemed to be the beginning of the end. The ‘bots had appeared as physical ships to the first colony that they contacted. A ship set on course to colonise in their own unique way by a civilisation many millennia ago. There was no explanation offered by the ‘bots; no physical contact, simply the gradual neural dominance and extinction of the host via attacks based on a weird combination of imagined space and quantum physics. Their mission appeared to be simply to eradicate all biological codec that did not conform to their DNA and RNA sequencing programmes. At a rough estimate less than 20 per cent fitted their approved sequence.



Thankfully more than half of that fortunate few of the original colony decided that they owed it to the rest of humanity to warn them of the insidious invasion and slaughter that it precipitated.



Now there were less than 50 colonies, plus Earth system resisting, and more than 35 billion ‘defective’ DNA sequences eradicated. Samuels mused on the war. He’d been welcomed by the ‘Bots and carefully groomed in q-space to work on their behalf with the only force still resistingassimilation, the ‘ware marines. He thought sometimes of the people he’d helped kill through passing on ‘ware specs. He thought of their deaths. Sometimes he cried. Then, as he linked up with the willing survivors he felt the community of brain linkages that joined humanity with the long distant creators of the ‘bots – one huge galactic wide net of linked individuals and colony ‘bots. An efficient process, ordered and quiet.



To help him in his position as an infiltrator the ‘bots downloaded specialist ‘ware to his hippocampus. The convergence of neurons and their snapshot imagery of the rest of his brain activity was a perfect base for capturing and re-imaging neural activity to make Jonas and all his associated colleagues in the Human Defence Forces think of Samuels as nothing more than a dull but loyal EO.



Unfortunately the ‘ware managed to create chaos within a small section of the cerebellum that controlled sweat glands, leaving him with the whiff of coffee, long-outlawed in its concentrated form in the colonies.



4.



Whatever organisation had been called Black Sabbath soothed Jonas with their sweeping aggressive music as he coursed through the battlefield, fending off ‘bot attacks, launching counter-attacks through neural viruses. The q-fields were adapted according to each marines’ own personal visual interpretation. His choice was an ancient game, played by his ancestors through clumsy visual interfaces. They had been called role-playing games and first-person shooters. The names were appropriate to what was his job. Cutting through swathes of code, using every type of programming language ever invented by humanity to sabotage the ‘bots manipulation of quantum fields. The very processes humanity had used to speed its computing capabilities to colonise their corner of the galaxy had been turned against them. Only the speed, flexibility and adaptability of the human brain could now provide a counter.



Black Label Society switched to Kiss, before Metallica took over...



For the first time in months they were making real progress. He switched to the separate ‘ware controlling his divisional deployments, marshalling a counter-thrust in three separate sectors.



The Offspring played on, followed by Alice Cooper focussing his mind...



“Sector four, press forward, div. two, they’ll drive into that noose you’ve got forming. Lock those codes in there. When they try to break through in binary, lock ‘em down and release neural bombs.” he projected to his divisional commanders, before switching back to his own field of combat.



Led Zeppelin, System of a Down and then Nine Inch Nails...



5



“I don’t know why he won’t just die,” Samuels projected to the ‘Bots. His own visualisation was of a boardroom, appropriate for an Executive Officer.



“I’ve released every neural pathogen, every neural bomb and dozens of viruses. He seems to have a way of combating each and every one. And some of the Marines seem to have developed that same ability.”


The ‘Bots, shed of the crude machinery that most of humanity believed them to be, appeared as fields of shimmering material in q-space. Their every move and his every observation changing the matter and the visualisation.



“What is music?” one asked.


“I don’t know.”


“It seems to be the virus they are using,” the ‘Bot replied. “It is like a wall, which we cannot penetrate, and we cannot sequence quick enough when they have it activated to fight them off. It is not appearing on any of the pathways we map of the Marines ‘ware, nor their physical neural activity.”


“What is an Ozzy?” another asked.


“I don’t know.”


“What is a Motorhead?”


“I don’t know.”


“What is a Ramone?”

“I don’t know.”

“What is an AC/DC??


“I don’t know.”

The boardroom shuddered.

“The Marines have breeched all our secure neural sites.”


“What, you told me those were the hubs to…”

“There’s something coming along…”


“You told me you couldn’t lose…”

“Samuels, what is headbanging?”

His boardroom exploded, the visualisation cut apart by seeming arcs of fire and explosions. Walking through the debris was Jonas. The image was one of a man 20 years Jonas’ junior, carrying an ancient projectile weapon and laughing. As he fired the weapon the quantum fields slithered and rolled, the programming languages cutting the ‘Bots internal integrity down to nothingness. Samuels knew he was seeing Jonas’ visualisations. And if he could see them, quantum law dictated that both he and the visualisation could be altered by that observation. He had to think fast, alter the vision before Jonas…


“Hey Samuels!” Jonas called out at him. The tired Commander was laughing. His hair seemed longer and he was dressed in ancient combat fatigues.

“Hanging out with the our low-life robotic quantum motherfuckin’ friends. It’s fuckin’ crazy man, we’re getting them beat.” He seemed drunk or high to Samuels.

“It’s not how they think it goes any more. We’re winning and we won’t live as slaves to these small quantum fuckers. If only they’d learn how to love us, and forget to hate us. Maybe it’s not too late for them. Will your mental wounds heal before I kill you.

“No guess not, all aboard the Crazy Train - you’re gonna die traitor.”

After the loud blast of the projectile weapon cutting across quantum space, Samuels heard a maniacal laugh and someone screaming, “All Aboard’. Samuels’ treachery died along with him.



ENDS

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